09 October 2015

08 October 2015

New Video: Kill West || Out to The Stars.

Kill West's relentlessly intense 2015 debut full-length, Smoke Beach, is available digitally and on cassette from Richmond, Virginia's Ongakubaka Records. A vinyl edition drops on October 16, 2015 from the brand new New York City/Virginia Beach label Echo Drug Recordings, specializing in small-run shoegaze, psych, and post-punk on colored vinyl (the splatter vinyl variant of Smoke Beach has already sold out through pre-orders, but the smoke vinyl version is still available). Kill West hails from Buenos Aires, Argentina and describes their sound as "death surf/fog rock."

Soundcloud Track of the Day: Wildhoney || Thin Air.

"Thin Air" is the fifth track on Wildhoney's new six-song EP Your Face Sideways, following up the Baltimore quintet's radiant debut full-length, Sleep Through It. The present release was recorded in part by Gary Olson, whose credits include Crystal Stilts and Frankie Rose, and in part by Jordan Romero of The Shy Violet; like the preceding LP, it was mastered by Jake Reid of Screen Vinyl Image. Your Face Sideways will be released on October 16th, 2015 by Topshelf Records and can be pre-ordered in digital, CD, and LP formats from the band or from the label.

06 October 2015

Bandcamp Track of the Day: Tender Age || Always.

"Always" appears on Tender Age's brand new 7-inch, which you can order here. On the other side of the transparent green-glass vinyl disc is "Get High", the lovely demo for which we posted a year ago; the finished version on the new release is even more exquisite. The 7-inch costs only $6 plus $4 shipping for those in the States. A download of the two tracks only costs $2. We're hoping to bring you an interview with the Portland quintet soon.

New Video: Drab Majesty || The Heiress.


Pre-order the second pressing of Drab Majesty's Careless LP 
(on pink vinyl!) from Dais Records here.

02 October 2015

Premiere From Picture In My Ear: Stay || Smiling Faces (with Andy Bell).

Picture In My Ear of Minneapolis, one of our favorite record labels, is home to First Communion After Party, Daydream Machine, Chatham Rise, New Candys, and other outstanding contemporary psychedelia. The label has just dropped a digital release and accompanying video (below) of an exceptional single from Barcelona, Spain quintet Stay. "Smiling Faces" features Andy Bell of Ride on guitar and was produced by Owen Morris, whose credits include The Verve's second studio album, A Northern Soul. You can grab a lot of bang for a buck by purchasing the track on Bandcamp. Picture In My Ear has given us the heads up for a full-length called The Mean Solar Times late this year or early next. Meanwhile you can listen to more from Stay on the band's Soundcloud page.


30 September 2015

Soundcloud Track of the Day: Ringo Deathstarr || Guilt.

“Guilt” (featuring Smashing Pumpkins guitarist Jeff Schroeder) is taken from the Austin-based trio’s upcoming fifth studio album, Pure Mood, which will be released via Club AC30 on November 20.

29 September 2015

New Single: Girls Names || I Was You.

Girls Names are set to release their third full-length album, Arms Around A Vision, on October 2 via Tough Love Records. This single is taken from the new LP, which you can pre-order here.

WTSH Album Review: Cranekiss by Tamaryn || Review by Joshua Lytle.

WTSH Reviews Tamaryn’s Cranekiss
Review by: Joshua Lytle

Growth. Change. Experimentation. For ethereal projects of a certain age, it seems a sort of musical adolescence is underway. For Tamaryn, this most definitely holds true. As if overnight, she has reinvented herself, her band, and her entire musical palette. The results could not be any more breathtaking.

At first rumble of the unexpected yet largely amicable departure of longtime collaborator, Rex Shelverton, many fans expressed dismay and concern. However, Tamaryn handled so many of these questions and worries expertly, regularly reassuring listeners and teasing exciting details such as the participation of Weekend’s Shaun Durkan and producer/multi-instrumentalist, Jorge Albrecht. She promised not to disappoint; she kept her word most flawlessly. Cranekiss explores new, expansive, stratospheric heights for Tamaryn and company.

Towering, beaming synthesizers dominate the album, and Durkan’s characteristic guitar work plays a suitable foil to vocals that can shift from a low, gothy whisper to an exuberant falsetto. The duality is intriguing, and it is best exemplified on the standout single, “Last”. “Last” could easily be a contender for the strongest song of Tamaryn’s career and may long be her defining moment; there are simply that many good things happening within and so many subtle moments that blend so well. “Last” and the other singles also illustrate that Tamaryn can and should seriously consider wholly reinventing herself as an ethereal pop artist for an extended period.

Few, if any, artists can claim to have successfully made the jump from underground aesthetics to pop accessibility with their credibility intact, but Tamaryn and her new partners have not only come out unsullied, they have come out more lustrous than ever before. It is rare, almost unfathomable, to imagine an urge to tell an artist, “Run! Grow! Change! You’ve got this!” However, Cranekiss deserves just this sort of praise in its brightest moments.

Rather, it is the vestiges of what came before for Tamaryn and for Durkan’s Weekend that weigh the album down. The more heavily goth-inflected numbers, such as “Keep Calling” and “Intruder” are written beautifully and are good songs, but they pale in comparison to the singles as examples of a sound that could have easily been left behind in light of the exciting new territory both musicians are obviously perfectly equipped to explore and conquer.

The darker numbers also may suffer from Albrecht’s production. Compared to the singles, these numbers sound incomplete, or possibly compressed to a different extent than that exhibited on the songs tackled by Chris Coady; there is a noticeable drop in clarity and volume roughly halfway through the album. On vinyl, this is more jarring after one has flipped to Side B.

This potential oversight, or at least incongruence, is unfortunate and frustrating, as the material is glaringly solid yet unfairly executed, not shining to the extent it truly could. The album ends in this unfortunate murk; “Intruder” trails off with several layers suggesting a hook or compelling melody, but not in the sort of harmonious interplay they could have found. The start of the album calls for a euphoric finish which never comes.

A complete listen to the album can be staggering because of this disparity. Make no mistake, Cranekiss and the reinvention of Tamaryn as a project both drip with promise and sheer skill, but both are dogged by the same flaw all of Tamaryn’s LPs have suffered: jaw-dropping starts followed by limping closes. Fortunately, this is an easy fix. With future scrutiny on pacing, polish, and the risks of more languid numbers, Tamaryn will be utterly unstoppable. Fans would be wise to look forward to this and to purchase Cranekiss for the many things it does execute perfectly. If you enjoyed what you’d heard before, there is only more to appreciate now. 

Standouts – “Last”, “Sugar Fix”, and “Hands All Over Me”

Buy It Because – Because Tamaryn is on an exhilarating journey of rediscovery and because she’s onto something stellar. 

Goes Great With:
IO Echo
Black Marble
The Daysleepers

21 September 2015

Track Spotlight: The Moas || Cast and Hold.

WTSH learned about The Moas when Shelby Gaudet of The Radiation Flowers mentioned them to us here. Following that lead brought us to an excellent new EP from the Saskatoon, Canada band called Skid Fiction, which opens with the sparkling psychedelic flow of “Cast and Hold”. You can acquire the EP digitally as well as on a cassette from fledgling label Beaumont Records (affiliated with a similarly-named Saskatoon record store). The flip side of the cassette features a fellow Saskatoonian project called Susan. The Moas’ self-titled 2013 full-length sold out on cassette but can be had as a Bandcamp download.